(Robert Love’s article appeared in the March issue of AARP; via Pam Green.)
For a man who has lived in the public eye for more than 50 years, Bob Dylan is fiercely private. When he’s not on stage — since 1988, he’s maintained a performance schedule so relentless it’s known as the Never Ending Tour — he slips back into anonymity. But early last summer, Dylan’s representatives reached out and told me he wanted to speak to AARP The Magazine about his new project. “I don’t work at Rolling Stone anymore,” I told them, thinking it was a case of crossed wires, since I put in 20 years there. No, they said, there’s no mistake; he wants to talk to your readers.
And now, after five months of negotiation, a cross-country flight and days of waiting, it is less than an hour until our interview, and I still don’t know exactly where I will meet the reclusive artist. Driving down into the late October sun from the hills of Berkeley, California, toward the San Francisco Bay, I wait for a phone call with directions to a certain floor of a hotel. Then I’ll be given the room number, told to knock, and wait.
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