Stage Voices

BOY, COULD I USE A SHOW TUNE: ETHEL WATERS SINGS ‘SUPPERTIME’ BY IRVING BERLIN

 

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*****ARNOLD WESKER: ‘CHICKEN SOUP WITH BARLEY’ (REVIEW PICK, UK)

(Michael Billington’s article appeared in the Guardian, 6/8.)

Either because of a paucity of good new plays or an urge to rediscover the recent past, this is proving to be a summer of revivals. Now it is the turn of Arnold Wesker, whose 1958 play, the first part of a theatrical triptych, comes back to the Royal Court in triumph. It reminds us of Wesker's rare gift for generating strong emotion while encompassing big ideas.

via www.guardian.co.uk

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BOY, COULD I USE A SHOW TUNE--"IF EVER I WOULD LEAVE YOU" FROM 'CAMELOT'

 

(Via Pam Green) 

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BOY, COULD I USE A SHOW TUNE: "CHRISTMAS DAY" FROM 'PROMISES, PROMISES'

 

BOY, COULD I USE A SHOW TUNE: 'TURNING' FROM 'THE ACT'

 

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BOY, COULD I USE A SHOW TUNE: 'MEADOWLARK'

 

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BOY, COULD I USE A SHOW TUNE

For those moments when nothing else will do—

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BOY, COULD I USE A SHOW TUNE

 

For those moments when nothing else will do—

Visit Stage Voices blog for video: http://stagevoices.typepad.com/stage_voices

BOY, COULD I USE A SHOW TUNE

 

 

For those moments when nothing else will do—

BOY, COULD I USE A SHOW TUNE

For those moments when nothing else will do—

Stage Voices will be posting songs from musicals every day.  Should you have an emergency need to hear Ethel Merman or Patti Lupone--or merely an impulse to see if you still like something from ‘The Sound of Music’ or ‘Cats’--e-mail us at stagevoicespublishing@gmail.com –we’d love to hear from you (please use the heading “Show Tune”—and tell us if you’d like us to use your name, part of it, or none).

 

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